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	<title>Mike Dennis &#187; publishing and the record business</title>
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		<title>ONE MORE TIME FOR THE FOLKS IN THE BACK!</title>
		<link>http://mikedennisnoir.com/one-more-time-for-the-folks-in-the-back/570/</link>
		<comments>http://mikedennisnoir.com/one-more-time-for-the-folks-in-the-back/570/#comments</comments>
		<pubDate>Mon, 04 Jan 2010 20:42:15 +0000</pubDate>
		<dc:creator>Mike Dennis</dc:creator>
				<category><![CDATA[The Business Of Writing]]></category>
		<category><![CDATA[digital publishing]]></category>
		<category><![CDATA[publishing and the record business]]></category>

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		<description><![CDATA[A few months back, I wrote a blog here called &#8220;Publishing and the Record Business&#8221;, in which I went on about the similar problems the two industries are facing today. There&#8217;s been a lot of talk lately in the blogosphere about this topic, so I felt it worthwhile to revisit it. The record business has [...]]]></description>
			<content:encoded><![CDATA[<p>A few months back, I wrote a blog here called &#8220;Publishing and the Record Business&#8221;, in which I went on about the similar problems the two industries are facing today. There&#8217;s been a lot of talk lately in the blogosphere about this topic, so I felt it worthwhile to revisit it.</p>
<p>The record business has been largely decentralized, thanks to the digital revolution. It&#8217;s now at the point where a completely unknown artist or band can record their own album in his own software-based home studio, promote and sell it on the internet (if it&#8217;s any good), book tour dates as a result of sales, get &#8220;airplay&#8221; on internet radio, and carve out a modest career for themselves. This is happening over and over again all around the world, as thousands upon thousands of artists who would&#8217;ve had no shot under the dominion of major record labels are now following their dream with some success. And record stores? A distant memory.</p>
<p>As you can clearly see, under this scenario, the record companies are completely circumvented. They&#8217;re left with the big, big super-artists,  who are really just putting out one bloated same-ol&#8217;-same-ol&#8217; album after another, trying to hang on to their security within the record-label plantation system.  Even major artists have liberated themselves by deserting the record-company sinking ship and starting up their own internet-based operations.</p>
<p>This is the future of publishing.</p>
<p>We shouldn&#8217;t worry ourselves about 100,000 free downloads of a Dan Brown book as much as we should be welcoming the opportunity for more writers to be published and read. I mean, does anyone <em>really</em> think that the future of publishing lies within the corridors of Random House?</p>
<p>I think the future lies much more substantially in the den at my house.</p>
<p>And your house.</p>
<p>And the houses of thousands of writers whose work would otherwise <em>never</em> see the light of day because agents and big publishers are too busy having lunch with each other to pay attention to them. Well now, they&#8217;ve got an outlet. And the publishing business as we know it is going to be ground into dust, exactly as the major record labels and the old Hollywood movie studios were, unless they get on board.</p>
<p>Now, I know there are many out there (myself included, actually) who say, &#8220;Whoa! I will never stop buying real books with covers and binding and all that other good stuff!&#8221; Well, if the publishing business gets their act together, we <em>may</em> be able to avoid an all-digital future, but that&#8217;s a mighty big &#8220;if&#8221;. In the meantime, we have to quit whining and start planning.</p>
<p>There&#8217;s a brave new world coming. And it&#8217;s coming sooner than we think.</p>
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